Faculty Panel

FACULTY PANEL
Tracy Barrett, Diane Muldrow, Lionel Bender, Linda Pratt, Peter Clifton, Kelly Sonnack, Ellen Hopkins, Ruta Rimas, Patti Ann Harris


From Rae Ann: Memorable quotes

Some memorable quotes:

“Be true to your style” – Art Director Patti Ann Harris speaking to illustrators



“Plunge into the next project.” – author Ellen Hopkins



“Don’t become a professional student of the industry. Write.” – agent Linda Pratt

From Bethany: Answers

What are the common things that can speed up or slow down the publishing journey?
Patti Ann Harris - Be comfortable with who you are and your interests and style.
Ruta Rimas – Be creative professionals.
Ellen Hopkins- Jump into the next project.
Peter Clifton- have fun…
Kelly Sonnack- Find a way to hook publishers/readers. Follow your heart, but make it relevant.
Linda Pratt- be flexible. Find different formats, spend time writing rather than becoming a professional student of the industry
Lionel Bender- Understand how the industry works. Don’t underestimate the amount of time needed to write/research etc.
Diane Muldrow – Do your homework.
Tracy Barrett – decide what works for you and what doesn’t.

What if you disagree with your critique…Critiques are subjective, but the faculty know the industry and are well read. Don’t discount author critiques—some people are disappointed when they get an author rather than an agent or editor. Possibly have it critiqued by another professional and look for consistency in the comments. Consider the niche of the faculty member who gives your critique. Put the manuscript away for awhile and then reconsider it.

From Amanda:

What are some examples of ways you can market directly to teens?

Ellen Hopkins: More and more publishers are creating more of a YA/Teen outreach. It is a network, so I am tied into all the major publishers. Friends who are authors promote for me and vice versa. On twitter, you don’t have to be friends with everyone that follows you. Reach teens through twitter and they may blog about it, etc. As much as you can, answer the messages that come to you from kids. You have to care because they are your readers. I do school visits—to keep in contact with kids and how they’re talking, what they’re thinking about, and let them see you are a real person.

Ruta Rimas: Melissa Marr does a terrific job of networking with her audience. John Green has a massive following of teen readers he has tapped into. Harper has developed a website called InkPop.com. It gets our authors interacting with our teen audience and writers.

When is present tense appropriate and is it being overdone these days?

Tracy Barrett: Sign up for the listserv for a longer answer to this question.

Ellen Hopkins: Present tense is when you need a sense of immediacy—it’s an unfolding experience.

Kelly Sonnack: It’s your decision. Commit to it and decide what works.

Would you ever ask for chapter two instead of chapter one since first chapters are often weak?

Ruta Rimas: No. If it’s not indicative of the quality of writing, then maybe you aren’t starting in the right place. If the first chapter isn’t strong, why would I want to continue reading?

Linda Pratt: If you’re not feeling that your first chapter is really strong, then you have a lot to do.

Diane Muldrow: Don’t be precious with your work. This is art, this is clay; work with it! This is about craft and really hard work. If your first chapter isn’t ready, we aren’t going to publish a book without a first chapter.
How can a writer maintain the dramatic tension through the middle of a book?

Linda Pratt: Keep asking those what if questions. As an author, you can never stop asking what if.

Kelly Sonnack: Sentence structure, sentence length, description, chapter endings—it’s also important to think about the plot points about the middle of the novel just as you are for the beginning or the end. By the middle your characters should have accomplished something but not everything.
Ellen Hopkins: Make sure that each scene builds on the last and moves the story forward. Look at why the scene is there, why the character is in that place, and what can motivate him to get beyond that place.

Ruta Rimas: Multi-dimensional characters can help a book get beyond that point…and asking those what if questions….