Wednesday, September 29, 2010
Sunday, September 26, 2010
Cheryl Mendenhall for The Traveler and the Dragon: A Voyage with Marco Polo
Jersey Girls by Suzanne Johnson
Hamster Hair by Kristi Valiant
Eleanor's Best by Amanda Driscoll
Darwin, the Modern Dinosaur by Jessica Young
Ready...Or Not by Gretchen Kelley
The Spiritualists by Allison Foster
The Doors of Whim by Tiffany Russell
Rise of the Archeteens by David Jarvis
Some Secrets Bleed by Courtney Stevens
The Edge by Teresa Lockhart
Winner: Wish Granter by Rae Ann Parker
A HUGE congrats goes out to all of the winners!
Tracy Barrett, Diane Muldrow, Lionel Bender, Linda Pratt, Peter Clifton, Kelly Sonnack, Ellen Hopkins, Ruta Rimas, Patti Ann Harris
From Rae Ann: Memorable quotes
Some memorable quotes:
“Be true to your style” – Art Director Patti Ann Harris speaking to illustrators
“Plunge into the next project.” – author Ellen Hopkins
“Don’t become a professional student of the industry. Write.” – agent Linda Pratt
From Bethany: Answers
What are the common things that can speed up or slow down the publishing journey?
Patti Ann Harris - Be comfortable with who you are and your interests and style.
Ruta Rimas – Be creative professionals.
Ellen Hopkins- Jump into the next project.
Peter Clifton- have fun…
Kelly Sonnack- Find a way to hook publishers/readers. Follow your heart, but make it relevant.
Linda Pratt- be flexible. Find different formats, spend time writing rather than becoming a professional student of the industry
Lionel Bender- Understand how the industry works. Don’t underestimate the amount of time needed to write/research etc.
Diane Muldrow – Do your homework.
Tracy Barrett – decide what works for you and what doesn’t.
What if you disagree with your critique…Critiques are subjective, but the faculty know the industry and are well read. Don’t discount author critiques—some people are disappointed when they get an author rather than an agent or editor. Possibly have it critiqued by another professional and look for consistency in the comments. Consider the niche of the faculty member who gives your critique. Put the manuscript away for awhile and then reconsider it.
What are some examples of ways you can market directly to teens?
Ellen Hopkins: More and more publishers are creating more of a YA/Teen outreach. It is a network, so I am tied into all the major publishers. Friends who are authors promote for me and vice versa. On twitter, you don’t have to be friends with everyone that follows you. Reach teens through twitter and they may blog about it, etc. As much as you can, answer the messages that come to you from kids. You have to care because they are your readers. I do school visits—to keep in contact with kids and how they’re talking, what they’re thinking about, and let them see you are a real person.
Ruta Rimas: Melissa Marr does a terrific job of networking with her audience. John Green has a massive following of teen readers he has tapped into. Harper has developed a website called InkPop.com. It gets our authors interacting with our teen audience and writers.
When is present tense appropriate and is it being overdone these days?
Tracy Barrett: Sign up for the listserv for a longer answer to this question.
Ellen Hopkins: Present tense is when you need a sense of immediacy—it’s an unfolding experience.
Kelly Sonnack: It’s your decision. Commit to it and decide what works.
Would you ever ask for chapter two instead of chapter one since first chapters are often weak?
Ruta Rimas: No. If it’s not indicative of the quality of writing, then maybe you aren’t starting in the right place. If the first chapter isn’t strong, why would I want to continue reading?
Linda Pratt: If you’re not feeling that your first chapter is really strong, then you have a lot to do.
Diane Muldrow: Don’t be precious with your work. This is art, this is clay; work with it! This is about craft and really hard work. If your first chapter isn’t ready, we aren’t going to publish a book without a first chapter.
How can a writer maintain the dramatic tension through the middle of a book?
Linda Pratt: Keep asking those what if questions. As an author, you can never stop asking what if.
Kelly Sonnack: Sentence structure, sentence length, description, chapter endings—it’s also important to think about the plot points about the middle of the novel just as you are for the beginning or the end. By the middle your characters should have accomplished something but not everything.
Ellen Hopkins: Make sure that each scene builds on the last and moves the story forward. Look at why the scene is there, why the character is in that place, and what can motivate him to get beyond that place.
Ruta Rimas: Multi-dimensional characters can help a book get beyond that point…and asking those what if questions….
We are looking at an expanding digital reading market 500M+ mobile devices, reading and content consumption. For example, we now have access to the Nook, iPhone, Kindle, iPad, cell phones, PDA’s, Android and more…
Marketing techniques have shifted from offline to online--think Twitter, Facebook, etc.
It is important to keep your information available and correct.
Platform building--link all of your online activities.
You will want to connect directly with readers and build community!
Some social reading Sites- Goodreads, Shelfari, Library Thing
Clifton's site, Filedby, is organized around authors
It is authorcentric and contains information on 10 million books.
Authors basically get a free webpage with different features—for a fee, you get further interesting features. Community helps build direct communication. For $99 a year, you can post a link that will direct sales where you want.
Look at your characters & ask questions like:
Who is your character? How does your character react to certain situations?
Write a scene where they do the exact opposite.
Ruta’s examples of well-developed characters:
Dexter (conflicted & complicated)
Max from Where the Wild Things Are
Frankie Landau-Banks from The Disreputable History of Frankie Landau-Banks
Katniss from The Hunger Games
Ruta recommends Writing The Breakout Novel by Donald Maass
What makes the 1st page a No:
Too much exposition (telling instead of showing)
Labeled for the wrong age group
Picture Book is dialogue heavy
Picture Book is list-y (tackling a list instead of an overall conflict)
Too much description in action scene slows down the pacing
What makes the 1st page a Yes:
Interesting opening line
Picture Book showing good imagination
Lots of action in opening scene
A Note on Titles: Choose a Title that doesn’t explain everything about the book.
Saturday, September 25, 2010
Rae Ann Parker is a clinical social worker only working with fictional characters now. She presents writing workshops on social work-y topics like birth order and blogs with the SCBWI-Midsouth blog team at regional conferences. Rae Ann writes YA and middle grade fiction. Please visit her website at www.raeannparker.com.
Bethany Griffin is the author of Handcuffs. She lives in Lousville Kentucky with her two kids, awesome husband and many cats. She teaches 10th grade English and creative writing, and is currently working on a YA rewrite of a Poe story.
“Envision your story like a path. The reader needs to stay on that path throughout the story and not get lost in the woods.”
Characters - Why should the reader care about your protagonist? We need to care in the 1st 10 pages. An exception: in a fantasy, worldbuilding may be the focus of 1st 10 pages and character comes later.
Dialogue - Kelly suggests read through your manuscript reading only one character’s voice out loud. Is it consistent throughout the story?
Pacing - You need a good balance of description & detail. Use spare details in action scenes.
Language - Do you favor certain words? “Every writer has favorite words. Be aware of the words you favor. Vary sentence openers & paragraph openers.”
"Everything You Wanted to Know About Making a Picture Book, But Were Afraid to Ask" by Patti Ann Harris and Diane Muldrow
Hi everyone! I'm at the Saturday afternoon breakout session with Patti Ann Harris, Senior Art Director at Little, Brown Books for Young Readers, and Diane Muldrow, editorial director at Golden Books/Random House.
Editorial Director of Bender Richardson White (BRW), a book packager (creation/ development house) in London, England and the author of 70+ children’s illustrated non-fiction books.
Started with a Nashville appropriate metaphor- Book publishers are behind the scenes, if they were a band they'd be behind the scenes, the roadies, the producers, never with frontmen with their name in lights.
Book packaging started in London in the mid-1960s.
It started with illustrated non-fiction.
What types of Books do book packagers produce?
Illustrated non-fiction for ages 6 & up
Books for school & libraries
Most are in series.
Most of the books produced by Mr. Bender’s company are science and nature books.
It is more common to see fiction books now produced by book packagers.
Kinds of books book packagers make:
Highly illustrated – photographs or art work
Integrated images & text
Why do Book Packagers exist?
Extra staff (example: book publishers need to complete a series & need extra staff)
A subject matter expertise book packager has
30-40% of the Children's Nonfiction books that you see on shelves are produced by book packagers.
Book packagers often do not pay royalties. They rarely work with agents, they prefer to work directly with authors.
Special thanks to J. Michael Smith for all of the wonderful photos! You rock, Michael!
Her presentation included sharing her experiences with Little, Brown and providing tips for keeping artwork "fresh" and interesting.
Her advice included the following:
- Keep a sketchbook - Shared sketches from The Curious Garden picture book by Peter Brown as the book came together.
- Do your research. It is important to go back to basics and understand how, for example, how a cat would hold it's paw. Illustrator Steve James did research and used photos to capture anatomy of cat. Showed initial sketches of cats and people from "Dewey: There's a Cat in the Library."
- Create a character. That is motivation for creating a book. "Birdies Big Girl Shoes" by Sujean Rim, author and illustrator. Sujean was in her fashion world and created the notion of a little girl obsessed with her mom's high heels, make up, dressing. Used water color and collage. Showed studies of Birdie loving the shoes. Discussed layout of book and colors. The sketches of Birdie create a really cute and fun character.
- Retell a classic. Focus on Jerry Pinkney's "Lion and a Mouse." Pinkney played with the scale of the mouse early on. The more he drew the more he understood the mouse was the hero of the story. Revised the scale to emphasize that. Multiple panels to show a sequence of time and space. Showed initial sketch, experimenting with panels and characters. Illustrator would make a face and look in the mirror to study facial expressions. Uses pen and ink. Sketches are free and explore the possibilities. Can tell the stories through the expressions.
- Revise. Revise. Revise. Revising is really such an arduous task but is where discovery takes place and raises the level of any project. Book to highlight "The Very Fairy Princes" illustrated by Christine Davenier. Made studies of the characters. She played with the idea and never got tired of revising who that character might be. Work in progress. Keeps lively line and expressive gestures. Lay down water color and puts pencil on it. Mixed media. Always kept alive. Showed various sketches and capture spontaneity instead of laboring over a piece until it was dead.
Q: Typical timeframe from when you contact an illustrator and the final product?
A: More like 6 months. Dewey was done in 4 months. We do a lot of products that have to be done quickly. There is a range from sketch to final product.
Q: What is process for choosing illustrator.
A: We work with a lot of agents. When we get a project in, the art dept and editor will meet and bring samples to that meeting. There are a lot of different conversations that take place. We have some in- house artists. You have to develop those artists that you have worked with over the years.
Q: Are new artists brought in through an artist representative?
A: Yes, and through on-line portfolios. We find people on line and contact their agent and sometimes to the artist directly. Having a website is key. Great way to bring new people in as well.
The session was filled with information. The sketches that were shown on screen by these published illustrators were inspirational to all -- especially to me. It is nice to know that large publishing companies are always looking for illustrators, whether established or just breaking in to the business!
On finding an agent: DO YOUR RESEARCH. Write a good pitch letter and WORKSHOP IT. FOLLOW directions.
Don’t give up!
Formalizing representation: Sometimes, authors must do REVISIONS before an offer of representation. An agent needs to know you can have a good working relationship.
Phone call with an agent: ask questions! Now is a good time to start. Make a list of questions you will ask your agent in the future.
The agent will submit to agents using a pitch letter.
When there is interest from an editor, it will go to an editorial and acquisitions board to be approved by the editor's colleagues.
Then, the editor may offer. Several different things can happen at this point depending on the type of offer. Sometimes this can lead to an auction if there are multiple editors interested.
Negotiating/signing the contract: this is when the agent/author decides what rights to keep (i.e. film, electronic, etc).
If you sell your book, you will begin working with an editor. You will receive an editorial letter that will explain the revision and will explain the vision the editor has for your book. Then, you will work on revisions. A lot. And then a lot more. And then maybe a little more.
After the book sale, the agent steps back a bit, but will be involved if necessary--for example, with a title change, the cover, design, etc.
You won't be sent on book tours! For pre-publication, consider promotional ideas: websites, blogs (and blog tours), school visits, author photos, etc.
Amazing Quote of the Session: "Patience is a virtue you really need to have in this business. Books take 18 months from contract to publication at the MINIMUM."
She often reads for critiques and for blurbs and a common weakness she sees is character motivation.
Ellen says, "If you make the reader stop to ask WHY the character is doing whatever they are doing, then you've lost them!" She explains how to create and understand complex characters who do things that make sense.
Ruta’s workshops are INTERACTIVE. She asks, “What makes a book great to you?” and gives the attendees time to answer the question. This is one of the really cool sessions that the attendees can directly apply to their own writing.
RECOMMENDED READING MATERIAL: READING LIKE A WRITER BY FRANCINE PROSE, MANIAC MAGEE, CHARLOTTE’S WEB, THE BOOK THIEF, HOW I LIVE NOW, ETC.
Rimas encourages looking at your writing word by word. She presents a word-by-word, sentence-by-sentence, paragraph-by-paragraph analysis of great books and our own manuscripts.
Rimas also discusses the difficult concept that is voice.
Fabulous Quote of the Session: "Voice is one of those very complicated, often misunderstood topics. You can practice at it, but it's one of those things that has to come from you. You can't just fill in a form and all of a sudden you have voice in your character."
Voice in children’s books (and any book) is the key thing that agents, editors, & readers look for.
Voice is something that is developed. Most artists & most authors are not self-taught. Writers must be readers first. Writers great with voice must be good listeners.
Linda says, “Voice is the personality and the whole life history of a character when they speak.”
Look at who the character is and the language they use. Word choice and sentence structure can tell the reader a lot about the character.
Some exercises Linda recommends for honing your voice include:
*Eavesdrop on conversations.
*Read for pleasure, then re-read later. Study the work.
*Read your work aloud.
The 2010 SCBWI Midsouth conference is a sellout! There are 120 writers/illustrators here from 14 states and we have one faculty member from London (Lionel Bender).
Friday, September 24, 2010
Tuesday, September 21, 2010
Hmmm . . . One thing I wish people knew about me . . . I would have to say that despite my outward show of confidence, I was the shyest child in the world. On the first day of First Grade, my teacher made me stand in the corner for TALKING! I had lived overseas, and I had not attended Kindergarten, so I had no idea yet of the rules and regulations that go along with First Grade. And it's not like I was blathering on and on--she shot me down the first time I talked out of turn! There was no nice request for me to not talk while she talked. There was, simply, "Please go stand in the corner, Candie!" That shocking command (and the humiliation of it all--I still blush) succeeded in shutting my mouth for the remainder of most of my twelve years in school--I don't think I really started conversing until I went to college!
That having been said, I do think that mean ol' Miss Goff might have done me a favor. Because I did not talk, I was always thinking--and writing. I turned everything into stories.
The one thing I'd like folks to know about THE LEGEND OF ZOEY, my middle-grade novel, is that Zoey IS me--but she's the thirteen-year-old me that would have talked had she not been so afraid to do so! Zoey often blurts and lets rip--something I would have loved to do--but it gets her into trouble sometimes. I would also like everyone to know how proud I am that this little midlist novel is still hanging in, thanks in large part to its selection as a Volunteer State Book Award nominee, and it really represents my love for my heritage, my history and my state!
Next up, Shellie Braeuner, author of The Great Dog Wash
1. So how about the thing people may not now about me is that I'm handy with power tools and paid for college by building sets and costumes for theater.
And, lets see, something about the book. Well, I just found out its up for the Missouri Building Block Award and it was named a Best Book of 2010 by Bank Street. But on a more fun side, I still have the sheet of paper I wrote the first draft on while I was making lunch for the three year old that inspired the story.
And from Clay illustrator (my kids will be so excited to know that this is a real career!) Susan Eaddy
1. One thing about me....
The underneath of every bed in my house is jammed with pizza boxes; which are filled with tiny clay fish, bears, dogs, rhinos, people & other clay critters.
About my books...
Even though the illustrations are whimsical & made with clay, I research every book exhaustively. For my First looks Books with the Smithsonian, the Aerospace & Vehicle Museum Curators at the Smithsonian had to approve every sketch & clay final for the board books!
Now for me- Bethany Griffin Author of Handcuffs
1. One thing about me. I'm an introvert? I waited tables for years when I was in college, and every single table, it was a struggle to walk up and speak to strangers. I do like talking to people, but I'm never sure what to say, and in retrospect I'm never sure if what I did say was the right thing!
2. About my book. I guess what I want people to know is that it isn't that dirty :). It is a book that deals with teenage sexuality, but that's not what it's about. It's about identity and family and being a teenager and a middle child.
Last, though I'm hoping that I get some more responses soon...and if any of the book signers did not get my email, please feel free to contact me a firstname.lastname@example.org and I'll add your answers to the post....
Erica Rodgers author of the Camp Club Girls series
1. One thing I wish people knew about me: I am an extrovert, and will remember faces at the drop of a dime. Names take me a little longer, though, and I always have to ask a couple times before they stick. :)
2. What I would share about my books: The opportunity to write these books came as a direct result of a rejected manuscript. My first ms wasn't a good fit, but the publisher liked my writing and wanted me to work on this series. It has been a great introduction to the world of publishing. I have learned a lot (mostly about what to do differently, or expect differently next time!), and am more excited than ever about writing for tweens and teens.
I want to end this post with a personal word about signed books. I told fellow blogger Amanda K Morgan recently that my own kids don't care about signed books, that they simply think everyone writes books. In the evenings that's what we do, we write our books, I send mine off to whomever, they bind theirs together with string and binder clips. But a few years ago I sat beside George Ella Lyon at a book signing and had her sign a book to each of my kids. Recently at bed time, the found those books, and did they ever prove me wrong about little kids not caring so much about signed books. My little one kept asking, this is signed to another girl named Noel, right? She couldn't believe it was signed to her.
I hope this post served as an icebreaker for the desert party on Friday, and I can't wait to see all of you! It's so close we can count down the hours!
ETA Just in from Tracy Barrett author of 15 books for children, including The Sherlock Files
1. What I wish people knew about me:I'm working hard on ditching my day job and writing full time. I love writing and I love the community of writers (especially Midsouthers!) but I have some fears about quitting my regular job, not all of them money-related. I wish people would share with me their tips for avoiding isolation, for procrastinating all day when they don't have a set schedule, that kind of thing.
2. What I wish people knew about King of Ithaka:
I feel like it's the culmination of all my other books and all the conferences I've attended. Everything I've learned about research, characterization, plotting, pace, dialogue, humor, suspense, voice, setting--it all comes into play in this book. But I hope that this is the case for everything I write, and that I'll keep building on what I know.
Thanks for taking the time to answer some questions, Kelly! :)
Can you give us a sneak preview of what you'll be discussing at the conference?
Sure! I’ll be giving two presentations. They are called, “The Secrets to Revising” and “Demystifying the Publishing Process, from Cradle to Grave.”
What is your favorite part of being a literary agent?
Celebrating the success of my clients. There’s nothing better than that phone call when I can share good news about an offer, an award, or other exciting news.
What's the number one thing you look for in a potential author?
A unique, takes-your-breath-away, have-to-have-it kind of story and writing.
What is your favorite book and why?
This is THE most impossible question in the world to answer. It’s like asking a Mom to pick her favorite kid. I think I could name my top three IF you gave me subgenres. But, one I continue to come back to again and again is A WRINKLE IN TIME. It was a cornerstone book for me in my development and I just love the themes, characters, and ideas it shares.
How do you know when you want to sign a new project?
When I can’t get the writing and story out of my head.
Thanks again, Kelly! We appreciate you stopping by!
Monday, September 20, 2010
Tell us about the Book Signing event that takes place during the conference kickoff.
The FALL SCBWI Conference will include an exciting Dessert Party and Book Signing event Friday evening from 7-9 in the Embassy Suites Commodore A & B ballroom. In addition to the opportunity to meet faculty members and other attendees, everyone will have a chance to meet published authors and buy signed copies of famous books! I’d like to encourage attendees to take the time to greet the authors signing and ask about their journey toward publication – from winning contests, to meeting agents/editors at conferences, to teaching literature – all of our participating authors have unique stories to share!
Which authors will be signing Friday night?
We have a very exciting list of faculty and other published authors and illustrators who will be available to sign books, including:
Is Friday night the only time to buy books?
If you miss the signing event Friday evening, items will still be available throughout the conference in the book store. Faculty members requested titles that will be referenced during presentations, so those books will also be available for purchase.
Who is directing the book store this year?
SCBWI is thrilled to have Robbie Bryan from Barnes & Noble Booksellers in charge of the Book Signing event and the conference book store this year. Barnes & Noble is generously donating a portion of the profits made throughout the conference back to SCBWI, which helps our region provide wonderful conferences. So please keep in mind that your purchases help support fellow authors and SCBWI! As a perk, you may use your Barnes & Noble membership card to purchase items at the conference, as long as you have your card with you.
I hope that you’ll find the Book Signing event to be a helpful part of the conference and that you will be able to take home materials from the book store that will help your writing career!
Looking forward to meeting everyone at the conference!
Thank you Hannah for organizing our bookstore this year!
Wednesday, September 1, 2010
Keep on eye on this space for updates about the conference and make sure to subscribe. During the conference--that's September 24-26--we'll be covering the sessions, so even if you can't be in Nashville for the real deal, you can still learn from some of the best in the business.
We'll be covering sessions from industry pros like Ruta Rimas, Kelly Sonnack, Tracy Barrett, Ellen Hopkins, and more!